Marta Adalid (Madrid, 1994) is a Spanish visual artist whose painting practice explores the relationship between the body and the natural environment.

Working from sensation, memory, and embodied experience, her paintings develop in an intermediate space where forms remain open and in transformation. Organic and vegetal elements frequently emerge, dissolving the boundaries between skin, landscape, and matter, and suggesting a continuity between human and non-human forms.

Her work is rooted in an interest in how the world affects us and leaves traces on the body, understood as a surface of contact where experience is registered and transformed. Through an intuitive and process-based approach, she constructs ambiguous visual languages that move between appearance and dissolution, inviting a sensory rather than narrative engagement.

She has presented her work in various exhibitions, including the solo exhibition Niku no Hana (Flower of Flesh) in Tokyo (2026), developed in collaboration with Katsuya Susuki Gallery and LEA – Lab of Experimental Art, with the support of the Embassy of Spain in Japan. She was awarded an INJUVE grant (2024–2025) for the project Habitar el cuerpo colectivo.